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A transcript is a retrospective written record of dialogue, and like a script (a prospective record) may include other scene information such as props or actions. In the case of a transcript of a film or television episode, ideally it is a verbatim record. Because closed-captioning is usually written separately, its text may have errors and does not necessarily reflect the true Canonical transcript.
Transcripts for Lost episodes up to and including "Enter 77" are based on the transcriptions by Lost-TV member Spooky with aid of DVR, and at times, closed captions for clarification. She and Lost-TV have generously granted us permission to share/host these transcripts at Lostpedia. Later transcripts were created by the Lostpedia community, unless stated otherwise below.
Disclaimer: This transcript is intended for educational and promotional purposes only, and may not be reproduced commercially without permission from ABC. The description contained herein represents viewers' secondhand experience of ABC's Lost.
Season 6, Episode 7 - "Dr. Linus"
Directed by: Mario Van Peebles
ABC Commentary by: Michael Emerson
Michael Emerson 00:01 Hi, it’s Michael Emerson. I play Benjamin. And we’re looking at 607, which is the all-Ben episode of the sixth season.
Michael Emerson 00:10 It sneaked up on me. I hadn’t really sort of psyched myself up to it, so I’m doing the best I can on this one y’all and we’ll take a look at it now.
Michael Emerson 00:37 More running through the jungle. Nothing worse than running through the jungle at night. You cannot see the vines…
Michael Emerson 00:54 And, oh look, just happen to run into our friends who have bright torches.
Michael Emerson 01:51 Okay, here we go. This is a flash sideways. This is the other Ben. It’s so much fun on a series to get to play, really, two characters.
Michael Emerson 02:03 This is Ben in another might-have-been life. Or maybe it’s THE life, I’m not even really sure.
Michael Emerson 02:10 He’s a deglamorized and de-dramatized Ben. Bad hair, bad clothes, the whole deal. Not really going anywhere. But you see traces of the Benjamin we know coming up.
Michael Emerson 02:28 William Atherton, another in a string of fantastic guest players on our show.
Michael Emerson 02:39 This is a guy whose work I admired when I was starting out as an actor or a wannabe actor. And to get to play a scene with him on LOST was thrilling.
Michael Emerson 02:55 We’re shooting this at a high school in Hawaii on the shores of Pearl Harbor Bay.
Michael Emerson 03:01 And in the distance… there are all these old battleships lined up. It’s the place where they warehouse the old battleships. Interesting.
Michael Emerson 03:10 Here’s Dr. Arzt, that we know from previous episodes of LOST and a really funny guy. And so much fun.
Michael Emerson 04:23 Back in the jungle…late at night.
Michael Emerson 04:48 It’s three in the morning in the jungle and everybody’s a wreck. And the torches are difficult.
Michael Emerson 04:49 Or they have too little juice and they don’t provide enough light for the cameras.
Michael Emerson 04:55 They either have too much juice in them so they flare up and want to burn your hair off.
Michael Emerson 05:06 Uh oh.
Michael Emerson 05:11 This was the first time I had ever personally witnessed Miles doing the communication with the dead thing. It really was interesting. He really plays it well.
Michael Emerson 05:29 This isn’t gonna be good.
Michael Emerson 05:48 It’s really hard to play the “what” moment when you’re outed as a villain. You can only just make so many faces of protestation.
Michael Emerson 06:20 I gotta say, a lot of face acting in that scene.
Michael Emerson 06:22 This episode was directed by Mario Van Peebles. A wonderful director that we all know from “New Jack City” and his own stellar acting career.
Michael Emerson 06:32 And it was the first time he had ever worked on LOST, so here he and I were thrown together and he turns out to be a great, classy, insightful actor’s director.
Michael Emerson 06:43 P.S. – A good-looking guy. A good-smelling guy.
Michael Emerson 06:49 The first person I ever worked with on LOST that wore cologne boldly and it was a great scent. And I liked to get close to him.
Michael Emerson 06:57 Here we are back at the old Lostie camp. Ben has never been privileged to walk around here.
Michael Emerson 07:31 Okay…
Michael Emerson 07:38 Pay close attention to those wires
Michael Emerson 07:54 Those are my real-life eyeglasses. But it’s gonna turn out to be a continuity problem.
Michael Emerson 08:04 Here we are in Ben’s flash sideways domestic life. Remember his dad?
Michael Emerson 09:28 John Gries. He’s been my dad right along. This is another stellar makeup job by Steve LaPorte to age him up. This actor is actually younger than I am.
Michael Emerson 10:05 I didn’t know if I’d ever play another scene with Tania, my dear daughter Alex.
Michael Emerson 10:17 And here she is in a completely different form, but still the same kind of dynamic at least, here she is again, someone that I should look after.
Michael Emerson 10:43 Ilana’s very busy. What is she gonna do?
Michael Emerson 13:00 He (Richard) materialized out of the jungle like he always does.
Michael Emerson 13:31 A copy of The Chosen by Chaim Potok in the sand there – another little literary Easter egg.
Michael Emerson 13:51 That’s huge.
Michael Emerson 14:11 Good point. Recurring motif here. People keep talking about how different their lives would have been. And Ben says would it really have been?
Michael Emerson 14:44 Oh good, here we are at the graveyard.
Michael Emerson 15:22 That’s a little scary when she says “it’s for you.” She doesn’t have a warm look in her eye.
Michael Emerson 17:36 Shocking.
Michael Emerson 18:06 Now what kind of shovel is that? If Polynesian culture depended on its architecture for that kind of shovel they weren’t gonna get much done.
Michael Emerson 19:04 Wow, that sounds desperate.
Michael Emerson 19:35 Ouch.
Michael Emerson 23:49 May I say that even when you’re pretending to dig a grave, you do have to sort of really dig the grave.
Michael Emerson 23:55 And with a bizarre and antique Polynesian tool like that, it’s a long day in the heat.
Michael Emerson 24:20 Make a mental note of those manacles and chains.
Michael Emerson 27:20 Classic LOST cliffhanger at the end of an act. One of the great sets that they ever built for LOST is the Black Rock-it’s so cool and it lights so beautifully.
Michael Emerson 27:28 It has so many cracks and crevices and stuff in it that they can shine beams of light through.
Michael Emerson 27:44 How many times has Jack been in a Russian Roulette situation on the show?
Michael Emerson 27:51 I remember playing a scene with him two seasons ago where we were playing a game of chicken about whether his friends would be shot by my henchmen.
Michael Emerson 28:00 Remember that one with the walkie talkie? And here he goes again.
Michael Emerson 29:55 Notice the bloody nose and mouth-- a scene was cut out here where Ben refused to keep digging and Ilana kicked him in the face! ha
Michael Emerson 30:03 Guess who?
Michael Emerson 31:54 Here we go. Running through the jungle again.
Michael Emerson 32:20 This is a small-scale Ben-play happening in the life of a man that doesn’t do that kind of thing easily.
Michael Emerson 32:27 It was fun to play “workin’ a number” but not confidently. Ben was always confident. But Sideways Ben isn’t.
Michael Emerson 36:28 It’s a hard scene to modulate how much of one thing or another to do but it’s an interesting turn in the story. We must have done it 4 or 5 times, that scene.
Michael Emerson 36:40 And we did it mostly sort of a long shot which you saw all the way up until it suddenly moves into a close-up which I think they almost forgot to do.
Michael Emerson 36:49 And then we did it at the last take or so.
Michael Emerson 37:09 It’s such a shockeroo when she says “I’ll have you.” It feels like a sea change in Ben’s life or his perception of himself or his place in the world or the game.
Michael Emerson 39:21 Like he knew her in another life.
Michael Emerson 39:25 It’s a nice foil for the loss of his daughter in our real storyline. And here in some milder parallel world he manages a rescue. Which is nice.”
Michael Emerson 40:02 (I’m) not exactly the most welcome person here.”
Michael Emerson 40:31 She’s thinking this is weird.
Michael Emerson 40:47 Now we get the first classic LOST montage in many, many episodes.
Michael Emerson 41:00 This is one of the great silent reunion, camp reunion montages that the show is famous for.
Michael Emerson 41:06 Many of the emotional highlights or high points of the show have been done in this way and it’s been a season or so since they’ve had a good one.
Michael Emerson 41:17 So this is kind of sweet to see Jack and Hurley.
Michael Emerson 41:25 Because wherever Hurley goes, that’s where the heart of the show goes. You know that there is comfort and happiness where he’s at.
Michael Emerson 41:34 And it’s all about Giacchino’s music, obviously. The guy’s a genius.
Michael Emerson 41:51 But here we have a montage where the difference is there’s a couple of outsiders here. A couple of our traditional villains…
Michael Emerson 42:00 We’ve got Richard Alpert and Ben, who are not traditional allies of this group and yet somehow they’re here.
Michael Emerson 42:07 So we seem to be having a new group of allies is forming, a new combination of heroes, maybe. I don’t know. Stay tuned.
Michael Emerson 42:18 So we have a kind of an emotional and, you know, a romantic regrouping … The inner circle is together…happy to be together.
Michael Emerson 42:40 And yet we see now that it will be brief because the forces of confusion and violence are at their doorstep.